RATIONALE
Out of the many
different briefs presented to me for my media assignment the original idea that
appealed strongly to my persona was the option of producing a segmented short clip
from a new tv documentary approximately lasting five minutes once recorded.
Also vital to be included in this particular package was a double page spread
from a magazine outlining the documentary and also a newspaper article that
focused upon it as well. Immeditately I concluded I wanted to focus entirely
upon real life occurances that happen every day in society – I want my product
to appeal to the target audience therefore orientating it around something we
can relate to or we are familiar with in a sense, that way it wouldn’t appear
too outlandish that the audience would have a zero percent chance of ever experiencing (like a tropical expedition documentary for example). I was therefore strongly influenced by my own
experiences with life for inspiration so I have decided to center my
documentary around the world of eating disorders, most importantly how food
issues effect us all to the present day through the use of the media
(celebrities broadcasted on tv, magazines, internet streaming sites etc) whilst
showing us the harsh reality of how mentally painful it is to live in such a
lifestyle by interviwwing current and recovered anorexia nervosa sufferers.
The target audience
for this product have to be sophisticated in a sense to fully understand and
appreciate the severity of the illness itself so I will be focusing on
attracting the attention of young adults and anyone over the age of eighteen,
this age range have more emotional understanding and appreciation whereas
younger viewers may be visually upset and disturbed by the phyical
consequences of the devastation of anorexia (moreover graphicness such as the
emaciation of the bodily frame) Moreover a large percentage of eating disorder sufferers are between the ages of 14 and above so there is a significantly raised chance of older individuals experiencing this compared to someone who is classified in a younger age category.
Due to the nature of my brief instructing me that I need to
fulfil the criteria of both a magazine and newspaper feature revolving around
the content of my documentary I think it is essential the colour scheme overall
should be the primary method of attracting reader interest to my media
production. Due to my target audience ranging from young adults to middle aged
citizens it is necessary to not only revolve the colour scheme around the
documentary but the public as well, it is of importance to gain the interest of
the correct target age range as this allows the feature to be viewed
potentially by the largest number of people possible in the age margin. I have
resorted to incorporate a neutral colour scheme to both the magazine listing
and the newspaper coverage; this will provide the most basic of shades from
grey, white and black. This may seem mediocre and boring yet I believe it
relates to my concept perfectly and ties in remarkably fitting with the
complexity of eating disorders. It not only portrays the sad, lonely existence
of the ordeal of an individual suffering from the illness, but the numbness
they feel ( it is commonly described that patients feel ‘cut off’ from the
world and that they live in a reality of their own with only the disorder for comfort)
this therefore reflects their separation from society itself. Moreover the
neutral tones appeal strongly to the adult age range I am focusing upon, as
visually it is not intriguing to an individual of the younger generations who
are potentially more engaged by bright, sharp and colourful productions,
whereas an adult would be fairly able to decipher the severity of the topic
through the usage of dismal colours. I think most importantly the shades I am
choosing help to reflect the sincerity and severity of the situation for a
person enveloped in the snare of an eating disorder, it also expresses the
public health and beauty genre as bland colours are often of use in many
traditional hospitals and inpatient services where these illnesses may be
treated. Most importantly it markets a mature mindset to fully grasp – hence
why adults are being targeted.
An important aspect of creating a feature is to ensure you
can claim the audience’s immediate attention almost instantly – this certifies
success. So for me relying on a balanced colour scheme and well constructed
font/text can guarantee a successful production. The main headline for the
articles will be encased in a striking, dramatic bold font – this will easily
grasp the reader’s point of interest. Although I am primarily orientating
around a neutral colour layout I have decided to include a cover line for the
features, this I wish to be presented in a visually dramatic burgundy/scarlet
red shade. A tone of this proportion is not easily overlooked by someone
browsing through a magazine; red connotates danger, a warning, which
essentially is the reaction I am intending to provoke. For someone suffering
from an eating disorder, particularly anorexia, there are many physical
complications which range in severity and eventually leading to death if not
treated effectively. These consequences are what I wish to highlight through
the use of this colour – that the outcome for a person who is not effectively
treated is not a joyful one. Red can be seen as symbolising the heart as well,
and how it is the heart of the individual themselves which drives their illness
to the extreme and is the bearer of the life they are losing, yet it can be
seen as the audience lending their heart and sympathy towards the situation.
Hearts symbolise the health genre which this documentary is moreover focusing
upon and how the staff of many hospitals fight to save the lives of those
seriously malnourished on the brink of ebbing away completely. The red
contrasts well against the neutral layout making the cover line easily
identified on the page itself. I want my cover line to be of an original origin
and want to venture away from the classic cheesy line a writer might use
relating to the programme or a piece of information detailing the content of
the show so I decided upon using a quote taken from one of the girls interviews
– this conveys highly the personal nature of the documentary and that real life
people are being focused upon. This is appealing to the audience as it indicates
this is someone’s thoughts and feelings – not a mash up piece of script a
writer has thrown together, reflecting the very serious real life situation
they are involved within. Due to it being directly taken from an individual,
the quote should be presented in italics with speech marks to symbolise this
point further. The main informative body of text that describes the contents of
the documentary will be situated underneath the cover line, this is to allow
continuity and a rhythm to be established within the article, this way the
audience can clearly identify that each individual piece of text is linked to
one another and follows in a traditional continuative editorial fashion. The
font here will be smaller then the cover line to minimise the risk of them blending
together and appearing as one long continuous feature which may appear
off-putting for the audience to read, the different sizes will allow the reader
to distinguish the centre piece article from other related pieces of text. The
font on the main body will be presented in black to link in with the neutral
tone establishing that vital consistency. Important words will be displayed in
italics to divert the readers gave to these important selling points of the
feature which will be more easily imprinted and remembered later.
Since the layout for the magazine could be constructed to
follow so many different paths I initially found it challenging to employ an
appropriate plan of what I’d guarantee it to look at when presented to my
target audience. I decided to firstly go for a more obvious method of placing
the main headline at the top of the page, which would carry on over both sides
of the double page spread, this emphasises the importance of the documentary to
the audience. Underneath this on the right hand side would be the follow up cover
line which will explain a few more minor details about the programme to engage
additional interest from the reader. I’m confining the main body of text which
focuses entirely upon the documentary to the right page of the spread to allow
the left to expose the large image relating to the documentary – this photo is
what I am relying upon to gain me the maximum visual interest from the audience
as entirely possible.
Whilst I was researching ideas for what I could possibly create within the content of my products I observed, read and watched various forms of media to gain more insight into the target area of documentaries my brief focuses upon. I began by viewing stereotypical health related shows such as 'Supersize vs Superskinny' and 'Embarassing Bodies' as I was interested throughly in the method of filming the chose, most commonly the Steadicam technology that was employed to film individuals during their personal interviews. This relates massively to the content of my documentary as i would hopefully be filming girls with many forms of eating disorders, I feel it would be most appropriate to film them in a traditional interview style with the camera equipment mounted upon a tripod. This would prevent it from wobbling and therefore create a very professional, sleek look to the documentary. The words of the girls would have to be taken extremely seriously as ultimately they would be documenting their hardships and battles faced with a devastating illness, this deserves a level of respect so by keeping the technology steady it would help to illustrate further the seriousness of their conditions. In the cases of the programmes I mentioned above, Steadicam allows the audience t directly connect with the individual on the screen as they can have a stronger relationship with their stories, as the lack of camera movement personifies the dramatic and sometimes serious tales they have to tell which in turn causes the viewer to focus on them more intentionally and to highlight the nature of what is being discussed. I am interested in using a dolly at some point as I feel it would be beneficial to follow the girls of the documentary around in their every day lives, this would show a sense of 'normality' and that they can engage with an average life rather then being completely absorbed by their eating disorder every moment of the day. For reference point I was inspired to watch 'Supersize Me'. Although this is a movie it ultimately is a documentary in essence, revolving around the obesity epidemic caused by the many fast food industries that are distributed in our nations. This is typical hand held footage which is shaky and slightly disorientated, normally this is employed to cause confusion in the audience yet for this programme in particular it is used to 'track' the main narrator as an 'in the moment' filming technique as they follow him around his every day life. It is highly effective as it appears to be filmed during real time rather then in a scripted situation so emphasises the spontaneous nature of the documentary and the effort that has been given to perceive a very realistic environment the audience can engage and empathise with. Since my content focuses upon eating disorders in an average household, in an average living area it may be of great use to go for a hand held filming style as this would enable the viewer to recognise these girls live in similar environments as them, making the connection stronger between the audience and the girls, that they aren't just unique individuals but are just as normal as me and you. The viewer may also be able to relate to the settings in the documentary (housing estates, shopping malls) as these are typical places we would go to and be found in during an every day course of life, familiar environments provides a comforting edge to the audience that they can relate to these nostalgic areas.
Furthermore I was influenced by a book I read a few months ago called 'Thin' by Grace Bowman, a young woman who has fully recovered from anorexia. Not only did the content of the novel startle and disturb me at times, I felt like incorporating some of the concepts she mentioned (such as exercise, restrictive behaviours) could enhance my documentary, overall I would consider asking the girls questions like this if it is to highlight the destruction of the illness (and therefore alarm and shock the audience) whilst also prompting a more intriguing and interesting content of my programme which would allow the viewer to remain engaged with it. Most importantly I was heavily influenced by the front cover of her publication as it portrays a woman with anorexia, yet you can't see her face so all emphasis is upon her body. This concept truly fascinates me in that excluding someones facial features could pull more attention to them physically (which would be beneficial in portraying the physical complications of the illness), I think it would be an amazing idea to take with me for when I develop the poster and double page spread for my brief and what type of images I should consider using.
Whilst I was researching ideas for what I could possibly create within the content of my products I observed, read and watched various forms of media to gain more insight into the target area of documentaries my brief focuses upon. I began by viewing stereotypical health related shows such as 'Supersize vs Superskinny' and 'Embarassing Bodies' as I was interested throughly in the method of filming the chose, most commonly the Steadicam technology that was employed to film individuals during their personal interviews. This relates massively to the content of my documentary as i would hopefully be filming girls with many forms of eating disorders, I feel it would be most appropriate to film them in a traditional interview style with the camera equipment mounted upon a tripod. This would prevent it from wobbling and therefore create a very professional, sleek look to the documentary. The words of the girls would have to be taken extremely seriously as ultimately they would be documenting their hardships and battles faced with a devastating illness, this deserves a level of respect so by keeping the technology steady it would help to illustrate further the seriousness of their conditions. In the cases of the programmes I mentioned above, Steadicam allows the audience t directly connect with the individual on the screen as they can have a stronger relationship with their stories, as the lack of camera movement personifies the dramatic and sometimes serious tales they have to tell which in turn causes the viewer to focus on them more intentionally and to highlight the nature of what is being discussed. I am interested in using a dolly at some point as I feel it would be beneficial to follow the girls of the documentary around in their every day lives, this would show a sense of 'normality' and that they can engage with an average life rather then being completely absorbed by their eating disorder every moment of the day. For reference point I was inspired to watch 'Supersize Me'. Although this is a movie it ultimately is a documentary in essence, revolving around the obesity epidemic caused by the many fast food industries that are distributed in our nations. This is typical hand held footage which is shaky and slightly disorientated, normally this is employed to cause confusion in the audience yet for this programme in particular it is used to 'track' the main narrator as an 'in the moment' filming technique as they follow him around his every day life. It is highly effective as it appears to be filmed during real time rather then in a scripted situation so emphasises the spontaneous nature of the documentary and the effort that has been given to perceive a very realistic environment the audience can engage and empathise with. Since my content focuses upon eating disorders in an average household, in an average living area it may be of great use to go for a hand held filming style as this would enable the viewer to recognise these girls live in similar environments as them, making the connection stronger between the audience and the girls, that they aren't just unique individuals but are just as normal as me and you. The viewer may also be able to relate to the settings in the documentary (housing estates, shopping malls) as these are typical places we would go to and be found in during an every day course of life, familiar environments provides a comforting edge to the audience that they can relate to these nostalgic areas.
Furthermore I was influenced by a book I read a few months ago called 'Thin' by Grace Bowman, a young woman who has fully recovered from anorexia. Not only did the content of the novel startle and disturb me at times, I felt like incorporating some of the concepts she mentioned (such as exercise, restrictive behaviours) could enhance my documentary, overall I would consider asking the girls questions like this if it is to highlight the destruction of the illness (and therefore alarm and shock the audience) whilst also prompting a more intriguing and interesting content of my programme which would allow the viewer to remain engaged with it. Most importantly I was heavily influenced by the front cover of her publication as it portrays a woman with anorexia, yet you can't see her face so all emphasis is upon her body. This concept truly fascinates me in that excluding someones facial features could pull more attention to them physically (which would be beneficial in portraying the physical complications of the illness), I think it would be an amazing idea to take with me for when I develop the poster and double page spread for my brief and what type of images I should consider using.
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